
Sound You Couldn't Have Made on Purpose
Angels turns audio into something else entirely. Feed it a vocal, a synth, a field recording – whatever you have – and it scatters the sound into dozens of grains, each one pitched, stretched, and scattered across time. What comes out is texture. Living, breathing, impossible to predict.
I sold all my Eurorack (a good decision for my wallet). But it's been painful not having Beads. It was such a core part of how I make music that I had to build something to bring that magic into my DAW, with a few ideas of my own. Tempo sync that locks grains to your beat. A tape mode with wow, flutter, and drive that makes everything sound like it's been sitting in a shoebox since the early 70s. 60+ scales for pitch quantization. Dual reverbs – one before the granular engine, one after. A randomization system that remembers its accidents. Angels makes sounds you simply couldn't have made on purpose.
Up to 40 simultaneous grains, each with its own position, size, and pitch. Dense clouds or sparse textures – dial in the density and let the engine scatter your audio across time.
Marbles-style Deja Vu system. Dial in how unpredictable vs how locked the randomness is. At noon, it loops. Turn left for pure chaos. Turn right to shuffle the sequence. The plugin remembers its happy accidents.
Preverb smears the input before it hits the granular engine – soft attacks, blurred transients. Postverb adds space to whatever emerges. Stack them for textures that float in from nowhere.
Pitch quantization across Western modes, Japanese scales, Indian ragas, Middle Eastern maqamat, and more. Bloom control unlocks notes progressively – from just the root, to thirds and fifths, to the full scale.
Wow, flutter, drive, and hiss. Dial in the wobble of an old cassette, the saturation of a worn head, the gentle drift of tape that's been played too many times. Makes everything sound like it's been sitting in a shoebox since the early 70s.
Sync grain timing to your DAW's tempo. Rhythmic granular textures that pulse with your track. Essential for anything with a beat.
Hauntingly beautiful and surprisingly flexible. My favourite thing is to put a microphone going into one of the reverse low end type presets. Again scale feature is insanely useful.
— Harry
Sequins replied:
Thank you Harry! If you have a bamboo/wooden flute, I highly recommend trying the 'Reverse Lowend' preset on that bad boy. Sit in front of the speakers, play the flute with your eyes closed and trip BALLS.
December 24, 2025
As a big fan of granular effects like the Mutable Instruments' Beads and Clouds modules, I'm so stoked to have found this plugin. Angels is a killer 'happy accidents' machine and will be a staple in my workflow moving forwards.
— Terry Carpenter
Sequins replied:
Thanks Terry! So glad you're enjoying Angels. I'm a massive MI fan too 👊🏻
December 24, 2025