
Micromanager
One of the things I miss most whenever I’m working outside Ableton is the transient envelope in Beats mode. Turn it down and it shortens the audio around each hit in a way I’ve never quite got from a regular gate. I wanted that as a plugin, so I made Secco.
Then I added a separate filter envelope and real-time audio swing. You can shorten a sound, have the filter close behind each hit like it does on a synth, and shift the groove while it plays. It’s how I get those tight, dark, muted little plucks I love in microhouse and minimal.
Shorten the tail, hold onto the body, or round off a sharp attack with Soften. Link the two envelope lengths to adjust them together, keeping their proportions.
Give the filter its own envelope, so the brightness can fall away while the body keeps ringing. Add resonance, choose a gentler or steeper filter slope, or switch either envelope off.
Chance decides whether each hit plays. Turn it down to leave gaps in a busy rhythm, or let the left and right channels make independent choices.
Spread gives each hit a random stereo position. Swing shifts slices of audio later on an eighth- or sixteenth-note grid. Adjust both while the track plays.
Trigger Secco from the sound itself, the host grid, a sidechain or MIDI notes. Minimum gap keeps closely spaced transients from retriggering too often.
MIDI velocity or sidechain level can shape the sound of each hit: its volume, envelope lengths, hold, filter opening and resonance. Softer triggers can make quieter, shorter, darker hits. Invert an amount to reverse its response.
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